Below is an unauthorized reprint of a telephone interview by Hidden, a Belgian magazine which ceased to publish after just two issues in 1979.
H: Welcome into Belgium!
GGT: Sorry?
H: I say, welcome into Belgium!
GGT: Indeed.
H: How are you today?
GGT: What?
H: I say, how are you today?
GGT: Oh, indeed. It’s a beautiful day here in England.
H: Can you describe your duties in your former role as backup keyboardist for Burning Mirror?
GGT: Certainly.
H: What?
GGT: Sure. Shall I?
H: Please.
GGT: I served several roles on tour, most of which were as on stage musical assistant to Slim Freedom. You see, he would lay down up to 80 tracks of keyboards in the studio so it would be up to me to augment his playing live. I would insert complex notes on top of and around his already dense chords and note clusters. As you can see. This would create an atmosphere of unity - an atmosphere of musical hooliganism.
H: What?
GGT: Unity - an atmosphere of musical hooliganism. Also, I would cover most of the keyboard parts if Slim Freedom was playing lead guitar solos or guitar chording. Also, I would play parts if he wanted to do something crazy like climb into the rafters and dump gasoline into the audience. Also, I would go to the restroom. Also, I could play thumb organ if needed.
H: I’ve never heard of that. Explain that instrument to our readers.
GGT: It is a device that reminds me of a childhood in Saunters.
H: Burning Mirror were well known for taking a pipe organ on the road.
GGT: Yes, just one of the things that made the “mach V lineup” unique. Not many people know this, but I sometimes added a few ounces of “dream steam” to the stops of the Soldier Organ. That would make the band get a little high.

Genius Garry Thurber at the Soldier Organ
H: What other types of instruments were you using in those days?
GGT: We had lots of companies throwing gear at us, so I can’t really remember. There was one insane device made by Klone, a Distortion Multichord they called it. It was kind of like a harpsichord with a built in poly-harmonizer and overdrive network. Dangerous!

Rare depiction of the rare device. Photo by Solomon.
H: What?

- Rare depiction of the rare device. Photo by Solomon.
H: Well, that’s about all the time we have.
GGT: Oh, yes, I’d be glad to. I’d get to the venue about six weeks before the gig and start to assemble the pipe organ and backup keyboard array. I preferred to work alone in those days; I wanted everything to be pefect - and I wanted all of the Pomeroy Snuff to myself. By day three, I was into some extended sound checks, often lasting 16 hours or more. As I said, Marlo stopped in. Eventually, I’d take a break and get some biscuits and rice or something. Bye and bye, the rest of the gear would arrive and I’d relax with a case of Fondo until showtime.

Genius Garry Thurber putting the finishing touches on a Prairie Tube.
GGT: What?